Friday, 12 September 2025

Given Poems – National Poetry Day 2025 – Adults

Here is our selection of the entries for Best Poem for the Given Words competition for National Poetry Day. They all had to include the following five words: pair, endure, lightfast, hold, and justice.


You can read the winning poem Venus, Don’t You Laugh At Me by Sadie Yetton and the poems Lightfast by Gail Zing, Nō Te Paruparu, Nō Te Purapura | Of the Mud, Of the Seed by Cindy Kurukaanga, and Pinhole by Renee Liang—which all received a Special Mention—along with the judge's comments here and the poems from the Under-16's category here.



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Cataloguing the Beach
for John Allison


A pair of muscle-crusted black buoys,
sea biscuits by the dozen, a riddle of

three-pronged footprints. You taught me
to look, and look again. The day you leave,

I begin cataloguing the beach. At the water’s
edge, a shark pup struggles as the tide goes

out. Thrashing in an inch of water, twisting
in on itself, hollowing out a sandy snare. I

grab its tail, hold firm, push it headfirst
toward deeper water. It doesn’t need much.

Just three-fingers of sea to re-float and swim
away. This is all fiction, and it is all true. I am

walking with the great mystery, tiptoeing
with shadows in the midst of a blue sun-

rise. Look up. The sky is ribbed in a chalice
of clouds v-ing out from beyond the hills. I know

our friendship is lightfast. The way time is
a myth that we agree to endure and justice

is salt in unseen wounds. What is there to see
this day? Tuatua shells scattered in the tidal path,

enough driftwood to build several beach huts,
waves tumble in, and the sun rises once again.

Jenna Heller
Ōtautahi Christchurch


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Whalefall

the days feel different now
and I wonder if that’s because of the concrete turtle.

a new addition, apparently. eight dollars of lightfast green and a virgin to my memory.
you turn it around and discover a snail chewing minerals
and agitated ommatophores retreat at your caress.

we hold hands around the garden.
they smell foul – geraniums we crumpled between eggshell nails. two fingers
are glued to my palm in a silent luck charm – a small justice
buzzing against their blossom milk trap.

‘My daddy’s gonna make my bedroom yellow,’ you tell me.
your words are stuffed between cranberry crackers and feta.
cute, I think, you’re cute. you’re my ninth birthday
teeth jammed into frozen eclairs and eyes bright in the summer sweat.

knees bowed, you surprise a pair of shubunkins.
their glowing fins vanish amidst weed and scum
as scales rot into stillwater. With every flash of apricot I feel foreign
and dead to this hobbyist pond. it was a flowerbed of my mother’s when I blew out the candles.
I’ll endure it. this golden world is the only one you know.

‘I used to live here,’ I say.
you may not smell the smoke,
but I still do.

Thalia Peterson
Aranui, Ōtautahi Christchurch


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Varanasi Incantation

Sunlight slivers across the river,
absorbed into oily waters of the Ganga.
The boat has a silent prow,
slipping through the mother river.

Being cleansed in turbid waters,
this holy immersion of daily karma,
merges Varanasi’s aliveness and death.
There’s noise enough from the river’s edge.
Bodies burned on the grim gravel,
ashes scattered, sinking to the slow dark depths
as we glide through the human flotsam
of this other-worldly stream.

This ceremonious day of dying;
the sparking justice of embers,
igniting flames of burning fires,
consuming bodies wrapped
in lightfast white cotton.
Seared flesh, cinders and fragmented scraps
of burnt cloth, blow into the wind.
Bodies, once of earthly living or holiness;
each holding a lifetime of karma,
consumed by the body burners,
reduced to ashes. Vishnu be merciful.

Mourners, in pairs, chant blessings,
Sadhus lay bindi on forehead chakras.
Families grieve and weep, enduring
the miasma of acrid palls of smoke,
and smouldering charred remnants.
Lord Krisna’s beautiful, wandering cows’
luminescence bring benign reminders
that life is measureless.

Descended from Heaven
this divine river flows; melding
generations in its godlike essence.
Strewn flowers, ash, bones,
prayers, and incantations
skimming murky tides of Varanasi Ganga Ma.

Lee Thomson
Ōtepoti Dunedin


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Gatekeepers

They speak of justice
As if it were theirs to give
Coins minted in back rooms
Never by hands of the makers

We hold our breath
At the gallery’s edge
Palms full of hues
Stories carved from ancestral bone

But the gate is gilded
With credentials and quiet nods
While our truths wait
Lightfast as tapa in the Pasifika sun
Refusing to fade

We endure
The silence between rejections
The echo of not quite
The ache of being almost

Yet somewhere, a pair of hands
Break glass to let the light in
And the mosaic begins
Not in permission
But in resolution

Dessa BLUU
Coromandel, Waikato


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of Mārama over Hauturu and palpitations of Matariki stars

My secret occupation is to be human
and overlook the enduring stretch,
the crossing flexing fabrics
of oceanic swell, wave beat and ripple shimmer
that joins Aotea to Taranga to Mokohinau to Te Whara
to Te Mangawhai through the hazy mist mask of mid-winter warm
at 430+ppm CO 2 and rising
when a pair of board riders feel the clean crisp rush
of the cool vibe, spooling out in threads of connection
and shared experience,
and in this instance, Kraft Heinz Wattie’s have captured the niche place
on a brightly colored lightfast ceramic brick picnic bench and table
that expresses our communality through baked beans in tomato sauce
(with or without sausages), a chance to hold on to moments
that will never come again;
as we listen to and celebrate the legal arguments and songs
of our Pacific Island neighbours at the International Court of Justice.

Piet Nieuwland
Whangarei


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Dose

In the morning, first thing
take two tablets to endure
the euphoria after surviving
another sleepless night.

That dream of spoke-shaving
clouds to fit them neatly into
the blue building block of sky
will haunt you later, unless
two more pills can sandpaper
out the jagged edges.

Your mother’s blood that
runs in you is thinning daily
from the warfarin her doctor
calculates on her abacus.

Your neighbour has cancer.
You father died of a burst
aorta. Your colleagues sneak
arsenic into your kale shakes.

The bus is a germ that moves
along a clogged vein leading
into the city’s last heartbeat.

Strike a match
to hide
your reflection.

There is no justice
in who gets shelter.

This life each minute
is a pass-the-parcel
where it’s never your turn.

Stop in the park next to
the homeless guy: that’s you
in 10 years. Hold onto your soul,
give him a pair of your pills
sit and re-draw the shape
and history of the trees
whose hearts are hidden
deep in the lightfast bark.

Lincoln Jaques
Tāmaki Makaurau Auckland


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Dotterel

Appointed superintendent of military roads at Porirua in 1845 Englishman Walter Mantell dons frock coat and mottled waistcoat, learns te reo Māori to instruct labourers bartered from Ngāti Toa and soldiers who have no choice in black-powder blasting, broad-axe, and adze to slice whenua for clinker and topple rimu for corduroy planking to hold back the mud.

He keeps a journal, field notes, observations of moa bones disinterred, birds half-seen. At Pāuatahanui he notes a nesting pair stooping and watching with cocked skulls, conspicuous on mid-grey legs. He dots his page with dotterel, dotterel, dotterel, the idiot Sussex bird of his youth that flies on lightfast wings halfway around the world but is always lost.

Walter’s roads endure. He ascends as commissioner for extinguishing native titles in Te Waipounamu, assigning Kai Tahu treasures to friends in government. His naming persists too; we miscall the tūturiwhatu still.

A hollowness in his bones pipes him back to Chelsea, where his doubts about justice seed repeated appeals asking where are the schools, the hospitals, the reserves he parroted in his promises? He migrates south once more to push for decency but it will be a century after his death before redress begins.

Elspeth Tilley
Te Whanganui a Tara Wellington


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we are a pair of apples
with soft spots –
yellowed flesh in
the gaps of your teeth.
we endure birds pecking
at our lightfast skin and
the noxious justice of
pesticide.
this tree holds us
until we are ripe.

Courtney Speedy
Tasman


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#584 The Treaty Principles Bill and More

In my hands I held justice
    as she danced like sands running
    down a Far North beach.
Her set of scales tipped and
                                            tilted,
clinking like a pair of singing tūī.

I moved like I was knitting
               the sea,

to endure was     to bring two
ends
    together     to weave and
flow. All of Kaitaia and beyond
waited, breath stiff like sappy honey
in our throats.

We’ve all been here before, the past
tells us so in lightfast pigments.
Change stood on the tips
                               of my fingers, toes curled

over the edge.
The finality of her decision
remained to be seen.

Ashlee-Ann Sneller
Paraparaumu


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12C

Most stars don’t go supernova
They go quietly, their light fast fading,
Dim red surface, white-hot center, as they
Exhale carbon into the universe.

Those atoms forms the basis of the
Base pairs of DNA twisting inside
Every living thing that will
Exhale carbon into the air.

We industrialized, star reaching,
But now a toll endures,
From the burning of fossil fuels that
Exhaust carbon into the atmosphere.

Is it just ice
That we lose in the melting glaciers
In the rising sea levels that threaten atoll nations

Is it justice
That the poor pay for the wealthy
And famine comes to the most vulnerable
And our gravest lightfast warnings fade

Resist exhaustion
Feel the anger in your center, white-hot
Hold tightly the tightness in your chest
Let us not go quietly

Exhale.

Erin Zampaglione
Ōtautahi Christchurch


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private space

I am not interested in lightfast
plastic I want faded I
want pretty I saw

a rusted motorcycle uncrashed
old house and gasoline can paint
peeling horseshoes pairs

of naked women taped to the
garage walls, I mean this without
judgement, the lack of justice
is cinema          if I
could climb through and become
a face on the other side,
brighten him, could be even prettier than

pairs horseshoes
peeling paint can
gasoline and house old
uncrashed motorcycle rusted

a saw he’d fade
smooth I could hold it, endure my own
incompatibility. I of clean rooms,
eternal plastic, Nothing

Bugs Sullivan
Ōtautahi Christchurch


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without

we were pair-bound, you and i
together for forty years           until
scraps of you           slid to the floor

i see your outline…
in the garden moving through the lemon
bite of midnight, your skin, once lightfast, i think

to reach through the kitchen
window, to pull you back from the void
           but my heart has been felled

to its knees & fears it will not
recognise your reflection

receding —


last sunday… i cradled cream
chrysanthemums, the cluster that cried
in a corner when

brilliant red freckled
the counter           i sat

in my car outside the cemetery
open-mouthed           wounded           feeling
fractured           for failing
to understand what you endured —

a mind unravelling as

darkness drew down & you
could no longer hold
life’s gleam           you contemplated…

                                                       nothingness.

did you wonder what it would taste like?

orange, bittersweet?

i sat on the seat among moss & earth
rearranging headstones, learning their names

but… i could not name yours, for we are split
apart now, my mouth is stitched & the
justice-oath we once spoke

is silenced           so i think instead
of summers to come

covering your absence.

Kim Martins
Kerikeri


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Remaining

Shower my eyes,
Cascade into the iris.
Each pupil dark,
One of a pair.
Ingressing,
Egressing.
My fingers bend fruitlessly,
Spilling carbon ink
To do justice
To your face.
Wet tongues to fingers,
A page flickers,
Dogear.
Will it be lightfast?
Will it last?
A precaution,
False hypothesis.
Cherry tomato,
Perched between rows,
Blistering like the sun,
Bursting like an avalanche.
Endure the throat,
Circle the lining.
We remain,
Still,
Continuously,
To be and to hold.
Lamplight;
I bask in inside glows,
Pale skin not so susceptible
Under beams.
All-nighter;
Ruthless bedsheets
Like performers' silk.
Weighted eyes,
Still those pupil pairs.
Parting,
An exodus,
And entering again.

Liberty Armstrong
Tāmaki Makaurau Auckland


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Octopoet

The octopoet sat
phone squelched in hand
tentacles groping for muses
in oceans of sand

diving down deep
justice, death?
hunting blubbery themes
truth’s salty breath.
to hold, and to carve
to shape into herds
of briny, sea-sweet
surges of words

avoiding drowned tropes
…of course.
self-indulgent, or meta-aware
like, poems on poems
or, youthful despair

first: punny pairs
‘ghoul friends’ fighting
with ‘venomous stairs’
then: similes piled high
till tables bent
a suckling feast
but scant nourishment
desperately: drenched clichés
enduring a flute out of tune
its meaning as dark
as lightfast noon

eventually: words lie
wasteland-white
snowflakes on snow
pale pointless echoes
with nowhere to go

and crowds sighed
at his woven tales
failing noise
screaming and whales.
they scratched heads
confused by meaning
that bled broken,
like eggs

for it hid there
from the start

felt, but unseen
the octopus thrashing
in the poet’s machine
twisting tropes, bloating lines
sliming each stanza
with wet clotted rhymes

so, with one last sip
of the desert breeze
he shrugged,
left the octopus roiling
in its alphabet seas

he’ll learn one day
rid of that weight
that one pen
crisp.
clean.
and dry.
is better than eight

James Riley
Masterton


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Mum Genes

Like clown trousers
this pair once dangled from bony hips.
Back in fashion, now they fit –
hide stretch-marked blubber
I’m meant to hate –
sometimes I do.

Pretty floral pockets
fray, lose lightfastness.
Heavy denim endured –
flung in top loaders
bashed by agitators
tumbled dry.
Warped ideas of love
trapped in the weft.

Weave submits, returns,
again.
Supports obstinate flesh that wants
to chuck a wobbly.
No elastane to degrade and snap
at unruly bellies that broke
the contract
to bounce back.

My 7 year old says
he’s strong, a ninja.
C-section, tumour excision scars
aren’t tough;
I couldn’t feel the cuts.

Mother-in-law achieved births correctly –
a caesar cheats.
Of course, she grants,
I didn’t mean to be weak, it’s my genes.
I want to shriek ‘What’s easy about a torn
womb?

What about my mother who laboured,
drug free, till male obstetricians
diagnosed failure
                               yanked
                                                my
                                                            body
                                                                         from
scalpel sliced guts?’

She taught me to smother rage.
Bite my tongue.
No justice in life, get on with it.
Fold laundry, wet into dry,
hold myself so needles pierce
straight through
no trace.

Dad snarled
‘I bet you’re fat,
just like your mother.’
Words leave no scars.

Rachel Douglass
Rolleston, Canterbury


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Larthia speaks
(After the Regolini-Galassi Tomb, in Cerveteri, Italy.)


                       truth is,
I never wanted an afterlife,
laid out resplendent as an oriental ibis
in my ornately carved sarcophagus
with my gilded bowls and perfume bottles,
my precious pair of painted ostrich eggs—
a scraping of what was tucked away with me
deep in the dark lungs of the earth,
             the hot day of my death

                       and yet,
my bones were fettered by gold
at my own request: lions and sphinxes
adorn the plate laid across my breast,
my necklaces hold weighted beads,
and I feel my belt and fibula
burn golden in the dark.
I’d chosen nothing but the lightfast best
             to prime me for eternity—

                       though I didn’t realise
eternity would last so long! I fancy
I can hear the dust accrue, distinguish
one shade of darkness from another,
feel the desiccating pallor of my bones,
the withering of the mind that happens when
there’s nothing new to think, and endure
a further closing in as I’m buffered
             by the mounds of my descendants

                       —but oh! that I could entreat the gods
to grant me one last small justice, to serenade me
back, just once, through the ever more distant
glittering threshold
             of my beforelife

Denise O’Hagan
Sydney, Australia


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Post-truth era

They shed truths’ meanings like psoriasis skin flakes,
mandarin hobgoblins run hither and thither
collecting those scaly truths as new synonyms,
in random pairs, pegging them together, throwing them
into their wonky word wheelbarrows;
justice and prejudice,
honesty, deceit,
integrity, evil,
kindness and ruthlessness,
wheeled away to the sorting hold,
maybe for re-pairing and reissuing,
maybe not.

Lightfast truths,
those huge irrefutables that will never fade,
that will endure for ever,
cannot be reframed;
birth, death, suffering, joy,
those they’ve stored in the inner vault
double-locked,
never again to see the light of day.
There is, however, a rumour,
a crack in that crypt
a slim version of hope
plans an escape

Sue Barker
Waipu


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Tell me something true
i.m. Jessie Riethmuller


These scour-end days of winter:
rebarbative.
We endure heel turns in the muck

of ground unfreezing. I say, spring,
hold!,
till narcissus remantles, till a close

and heated room hallucinates
fresh flare
to relumine our complaining.

It’s the view that irritates
or so I claim,
window to a window in a wall,

such a pair. I can be your eyes
here, girl, light
in the window, bulb in my throat,

while in the next street, protest meets
golden hour,
terraces aperitif to justice, breath

for those who love but see no more,
breath to fill
the forest floor, winter’s last breath

of body rising up to meet itself.
Revivify
the golden boy, pull him back from the

pond. I can be your eyes here girl,
signs and wonders
lightfast, even if (rebarbative) you’re gone.

Megan Clayton
Ōtautahi Christchurch


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Rough Justice

what can we make of the carved ivory elephants
enduring souvenir status
on everywoman’s mantlepiece
stood nose to tail
in descending fractals
like a lineup of heads of state

what can we make of the rare-as sea snail
everyman shelled out for
in a lightfast beach shack
boiled alive
shell etched into a fabulous
fishy scene

what can we make of Vlad the invader and stage-diver Donny
the pair of them
Disney on ice
holding the handshake for everyone’s screens
smile, go on, say ceasefire
Crimea river
laughs Vlad


Anita Arlov
Tāmaki Makaurau Auckland


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Tree Poem

While falling from the pine tree limb
The thought occurs to me
I cannot tell if I just fell
Or got thrown by a tree

Unsure of what I did to earn
The pine tree's lightfast ire
I contemplate on times my Dad
Has set its cones on fire

What justice is there to be had
From casting me away
I only thought you looked alone
And came outside to play

I know I had a solid hold
And my footing was sure
Perhaps the tree wanted to see
Whether I could endure

And then I realize that I
Have not yet hit the ground
Still bracing for the fall to end
I shyly look around

Expecting dirt and fallen cones
My landing felt too soft
A pair of branches underneath
Still holding me aloft

Levi Lewis
Palmerston North


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The lies we live by

What a pair we are:
You,
who lied
despite promising yourself
you never would…

and me,
the liar
I promised myself
I would never be…

We are raised
with promises
made by those
raised with those
same promises
and so know them to be a lie:

That
goodness endures.
That
justice is lightfast.
That
if you hold true
to principle
you will prosper…

And yet
goodness
disappears
as justice fades
and the principled
are left under the rubble
of indifference…

And still we will promise
our children
the same lies
because
our liars
also taught us to
coddle them
with fairy stories
thinking them too young
for the truth.

We think reality
is something
one should wake to
in their own time…

but that time is
too often
too late.

What a pair we are:
You,
who lied
despite promising yourself
you never would…

and me,
the liar
I promised myself
I would never be…

Russell 'Hazlito' Black
Nelson


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Sonnet on a faded sheet

These dyed cottons last a summer month
Before their lightfast lies are found by sweat
But parents’ parents’ twine endured the brunt
Of war and weeping, winters brash and wet,
The fables that we hold have stubborn root
And pray with twisting gesture at the cradle
Till blinded to the texture of the truth
We give dry justice to the choking cable.
If what we sow is never to suffice
Beneath the fuming wisdoms we are sold,
Forget how we outgrew the well-paired vice
Now dulled among the gleaming tales of old,
Has each new generation many threads
Some snap, but others lengthen in their stead.

Loredana Podolska-Kint
Tāmaki Makaurau Auckland


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Too familiar

We eschewed the matching three
piece suite ad instead collected
widely across the decades.

We banked on disarray and thumbed
our nose at Sunday best.

We buried all images of wars in the tv
commercials.

Hoping to slip out from underneath
reborn like a pair of newly minted
coins ready to make our way in the
world.

It turns out we were not as lightfast as
we had thought

To endure we find ourselves holding
on to shadows in the corners of the room.

Our eyes closed while politicians
continue to call for justice

And children still run screaming
under fire.

Rosana Vakatini
Perth, Western Australia


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Savage Tech

'Abandon hope all ye who enter here' Mum says;
In these last days of her good old age
we voyage together – to the computer room.
Here we find her cast in blue light.
We, who plague her buttons and ports come seeking > permission to re
enter the walled city of Mum’s email.
The servant printer sits dumb at her elbow. It is only she who decides when
he is to rouse, march.
She, the queen of our future > holds passcodes >in her hard drive belly.
She begins with a show of power dimming the screen.
We clamber over thorn covered walls. Reach settings.
I want to ask Mum why our Maoriness was buried;
Instead I must ask,
The password? The last one was Lightfast maybe 72?
‘What fresh hell is this?’ Mum says.
At the crossroads of good age and bad, captchas cover signposts.
Prove to us you’re human
‘There’s no justice in this beast’ Mum says.
My mother’s tech burden is my own. My swag is heavy with it.
Hold please the apple man says.
'You need to pair it with another device'
We endure.
In these last days of her good old age.

Claris Harvey
Tāmaki Makaurau Auckland


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Enduring

We are taught to hold our pain,
no matter the salted tang
on inner cheeks, or the epicentre
at our core.

The horse-hoof kick to a hip
the writhing snake
along a spine, the hop
of a gammy knee
melt skin and bone to pair with my brain,
eject my spirit as if this rocket
ride no longer needs me.

I want to perform its exorcism, tear
my shirt off, slice
through my freckled chest, crack
ribs open and inspect
the four chambers
beating at a rate I
have not decreed.

I splay my lightfast body
under the July and January sun,
but the clouds know
where to find me.
I try to dupe my nerves
but I am too frayed.
I reboot my mind
but am already disconnected.

I crawl across the carpet,
fingers as tentacles outstretched
seeking the foiled pack, seeking
a pill’s justice.

Anna Hoek-Sims
Ōtepoti Dunedin


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Independence Day

You are six-foot-four, but reduced
to the size of a calming pill.

I am anxiously tracking
your avatar, in its cruising disc.

Endure a terrifying moment when
you remain, briefly suspended –

a lightfast spot,
under laser focus –

stuck to the double-yellow
line outside your destination.

Calm myself with the 1980s
PBX switchboard mantra:

'Please hold
           while I connect your call.'


Back then, receptionists were
the witches who spellbound our unions.

Marie would have
talked me through this,

if she'd lived long enough
to embrace the digital world

(and I know she would
have done that, for you).


If there was any
justice for the lonely,

patchy cellphone coverage
would be obsolete already;

the twentieth-century office
girlfriends we partied with

would not die
in car crashes;

teenagers slipping off-grid
wouldn't trigger PTSD,

spark visions of flaming
chickens coming home to roost.


I am sucked into smoking,
pixelated stasis,

until our devices
pair again.

Bee Trudgeon
Porirua


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Kōtuku Moana II

On the deck of the last old fishing shack, we talk into the dark. Justice blaring Because we are your friends / You’ll never be alone again. Reefton gin.

Leo in his favourite pair of flannelette pajamas with his bottle of milt. Discuss collective consciousness, America, what Robert Haas said about loss. Invent a cocktail called Viscous Meniscus.

This lightfast tenderness. Kōtuku on the wing

Years later, the polaroid you took will bring a pang of nostalgia for this summer when we drove from Nelson to Lake Brunner listening to Badjelly and Dingle Dangle Scarecrow over and over and we won’t find words for that feeling it brings about what holds fast; endures. What falls away

(Someone said just the other day how you never know when it’s going to be the last. The last feed, the last afternoon they fall asleep on your chest, the last bottle of milk, the last time you pretend to be tuataras together…)

*

In the bath, Leo asks What if I give you my whole heart, and now you give me your whole heart? Tucking him in later, he whispers, When I am old, will you still be here?

How we tether. We tear—

Annabel Wilson
Swannanoa, Canterbury


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Questions at a Britomart Bus Stop at 5pm

How long has it been like this
for you, Sir?
Eggs cracked across the cream blue,
I quite like the runniness, Sir,
pairs well with the salt of the viaduct
but do you feel the yolk
fall on you?
Do the granules sting like venomous maggots?
Is that why you grate your ribs
against the concrete, or
is your skin coarse
enough to last, Sir?

Has it always been like this
for you, Sir?
Seeing the world on your side,
the divorced pair: the earth and sky, turning
a blind eye both bound by the concrete
kiss of infidelity that
you now
endure, Sir?

Do you know
we know
all about you, Sir?
Every 3 years I hear
about you, Sir,
through the radio and the mothers and the
skaters and the politicians in the prams,
they all talk
about plating justice
for you, Sir.

Perhaps you detest us for expecting
your gratitude, Sir?
When we flick and hurl gold booger
into lightfast plastic
post you on the net
holding you choking tears as the catch
of the day, letting you go,
saying water saves, but maybe
it feels more like
spit, Sir?

Joanne Kim
Tāmaki Makaurau Auckland


❆ ❆ ❆



the mess of the world

the aunties hold court
on the back doorstep
shelling peas, putting the world to rights
a thumbnail slices open a pod
plink plink plink
seeds drop like bullets
into copper bottom pot
empty shells chucked to the chooks
the kids run riot on the lawn

the aunties speak of politics, poverty, peace
this blimen’ useless government
(she’d use stronger language
but it’s the Lord’s day),
          who loves righteousness and justice
          the earth is full of his unfailing love

they speak of a cousin
who needs a haircut and a job
and to pull his trousers up
they speak of the cost of living
milk three ninety-nine at the corner dairy
and Shayla needs new schoolshoes

they speak of rich white men
strutting like a pair of puffed-up turkeys
shaking hands on red carpets
as cameras flash
as bombs drop
as babies die

an auntie’s bargain chemist boxed-dyed hair
shimmers in the sun, lightfast, fade-resistant
she rises, smooths out her Sunday dress
and puts on the roast
gives thanks to the Lord, for he is good,
          his steadfast love endures forever

I think, if there is a God
he should’ve put
the aunties in charge
of the mess of the world

Melanie Koster
Ōtautahi Christchurch


❆ ❆ ❆


Continue reading the winning poems along with the judge's comments here and the poems from the Under-16's category here.

Given Poems – National Poetry Day 2025 – Under 16s

Here is our selection of the entries for Best Poem by Under-16s for the Given Words competition for National Poetry Day. They all had to include the following five words: pair, endure, lightfast, hold, and justice.


You can read the winning poem The Menu by Miranda Yuan and the poems Photos taken the day they said it was over by Sabrina Li, My Purple Life! by Gia Beckett, and Thread of Reality by Lily Richards—which all received a Special Mention—along with the judge's comments here and the poems from the Adult's category here.



❆ ❆ ❆



Kia kaha
Be strong and
Endure
Keep hold of justice
Pair mana with whānau
Stay lightfast and keep
Living
Mauri ora.

Saoirse Johnson, aged 14
Taupō


❆ ❆ ❆



The painter who forgot to use lightfast paint

Miss Dae Vincy
accused of scamming
an unwary customer
searching for decor
for his grey home.

The evidence, a pair of innocent-looking paintings,
are held in the hands of the Honourable Judge.

'She is innocent,' cried her lawyer, 'blame her not,
for she has a memory of a leaky pot.
It was a fluke, an accident,
a disruption caused by a mistake!'
he called out in dismay.
'Mr. Lawyer, you may sit down,
this is what we call justice.
Now we will hear from the prosecution.
You may present your closing argument.'

'To do justice, this is what we must do;
She must endure two years, alone, abandoned.
For she must have realised that the paint she used
was NOT lightfast. But she never told anyone,
and sold it right away, to an unwary victim, who was led astray.'

'Yes, Ms. Lawyer, thank you for your time
though this case is quite particular…'

Lilly Pan, aged 11
Ōtautahi Christchurch


❆ ❆ ❆



The Stars Build Shadows

A pair of paper-flower
candles lightfast in the moonlight.
Trees of kelp
The seal endures melting ice.
Holds onto the light.
Finds her mother under the piers
Wrestling inside a plastic net.
No justice in these broken seas.

Claire Zhao, aged 12
Ōtautahi Christchurch


❆ ❆ ❆



I know everything but I know nothing

I know how to endure
cleaning up my dog’s poo.

I know how to make
lightfast underwear.

I know how to rob cats
for their lunch money.

I know how to use
justice against evil.

I know how to eat
washing detergent.

I know how to pair
soap and lego.

I know how to walk
a marathon in 5 minutes.

I don’t know how to
hold an apple.

Charlie St John, aged 9
Ōtautahi Christchurch


❆ ❆ ❆



Artistic Justice

The pigments, once vibrant,
now faded whispers on the page
lightfast memories holding on
to the curling paper

Rain leaving dewy drops on the windowsills
slowly rotting, art forgotten
in the empty room

The bristly paintbrush
lies next to the painting
pairing with the dusty theme

left forgotten
in the attic, enduring
through the thick coat
of time, now dusted off
and held to the light,

finally the golden mane glimmers
gallops into the dawn.

Maya Swann, aged 13
Ōtautahi Christchurch


❆ ❆ ❆



Colour blank

Once I dreamed I was a dancer,
fleet footed, untouchable;
pirouetted through midnight gardens in the arms of infinity.

The world was lightfast,
I held 1000 colours in my palm;
whispered them like visions to the breeze.

But to wake to a bleached sunrise,
blank paper, bed sheet, cornstarch —
Where are the pulleys to lift the curtain?

Grapple with permanence all I do,
play tug of war, cry in the cacophony,
is this justice?
Yank helplessly at the arms of the airborne clock,
can't pull them back 'round to midnight.

How to ward away nightmare contortions,
existence in monochrome pairs:
2 leafless trees,
2 boneless fish,
2 songless birds.
Washed-out timescape, colour blank.

Twice I dreamed I was a dancer,
lethargic, fragile.
Stumbled through mid-day desertscapes of pure-white sand,
couldn't quite endure the burning tides beneath my feet...
Maybe infinity only lasts so long.

Lucia Sampson, aged 15
Titirangi, Tāmaki Makaurau Auckland


❆ ❆ ❆



Cowboy Wars (Sibling Rivalry)

Welcome to the Wild West
Where fights are all too common
This feud is a bitter one
Brewing for what seems like an eternity (actually, a couple of hours)
Bang, BANG!
Here we go again
My brother and I are a pair of outlaws
It’s noon, time for our showdown
I push           He smacks
I punch         He kicks
He does karate, who cares if he’s a black belt
I spoke too soon
He holds me down
'Heeyah!'
Delivering his final blow,
'OWWWWW!' I scream
The pain is too much for me to endure
With my free hand, I scramble for my Nerf gun
It’s out of reach
This is it, I’ve lost the duel
But justice always comes on lightfast feet
'You’re both grounded!'
The sheriff has spoken
'No, mum NOOOOO'
The punishment, two weeks of solitary confinement (no device time)
Just wait ‘til I break out of here
I’ll get my revenge

Isabelle Holmes, aged 10
Ōtautahi Christchurch


❆ ❆ ❆



Hate
How sometimes,
Sometimes it
Feels
Like parts of me are
Lightfast. Unfading, undying
Holding to justice, waiting for consequence
Nothing
It endures my self righting self discipline like it is
Nothing
What can I be like this if not
Nothing
It just won’t fade falter it just keeps
Creeping
Back up on me I can’t
Escape
Lightfast. Unfading, undying, unjustifiable
Only a divine pairing can make me
Free
I have been
freed
Held in the flowing rivers of my heart
And in the oceans of the sea
Paired
Encased, embraced, enveloped by
Love

One Two
One to one
One pair

I am
Loved
I can
Love
Sometimes.
But always
Together
I can
Love

Anastasia Wongcharupan, aged 15
Lower Hutt


❆ ❆ ❆



The starry horizon

I gazed out to
the endless navy sea venturing
out to the night.

My shirt, lightfast and
bold captured the moon's
eerie glow.

It was like guilt was
holding my heart captive,
like a shadow over my
soul.

A pair of entwined,
thick branches covered
my pale face in the
cold wind.

I had endured this so far
to wind up at a dead end,
stopped in my tracks.

But justice was still out there,
sailing on the starry horizon.

Mia Lock, aged 10
Ōtautahi Christchurch


❆ ❆ ❆



I have to endure the annoying pair – Lilly and Lucy.
I will have to hold on for some justice to come between us,
the one other thing that is not really good is that Lilly and Lucy
are lightfast,
not like they won’t fade
their annoyance won’t fade.

Jaanvi Singh, aged 8
Ōtautahi Christchurch


❆ ❆ ❆



The Day The Earth Broke Into Two

It made a horrible sound
All over the ground

We drifted from the sun
When the power cut

The light was only one
I had to endure

The pain was pure
A man screamed justice

We were in a crisis
The sun was not as bold

I saw a pole I had to hold
Now the Earth is a split pair

And I really do care
From the southside

The moon held lightfast
Then it boomed a blast

Rye Eoin Stafford, aged 10
Ōtautahi Christchurch


❆ ❆ ❆



I LOVE GUMMIES!!!

I can eat gummies lightfast.

I endure the pain of watching my enemies eat gummies
in front of me.

I take justice on those who steal
others’ Gummies.

I hold a gun to the robber’s head
because he tried to steal my gummies.

I pair gummies with tomatoes (it’s really good).

Rylan Bowler, aged 10
Ōtautahi Christchurch


❆ ❆ ❆



Dawn’s Heir

Snowflakes dance to the ground,
the lush land endures the bleak white,
a pair of snow-laden trees,
lightfast sentinels stand still,
bowing low,
towards the ground,
burdened with regal reverence.

She sits there,
waiting,
fearing for the time
when justice is held,
when night wanes into day
and melts her into light.

Samuel Hu, aged 14
Ōtautahi Christchurch


❆ ❆ ❆



Mountains hold the breath of life
tied to a kea’s back
Tawhirimatea blows a lonely pair of wings – the tide of the sea
Insects cry after man’s no justice to the trees
Ancient rocks lightfast
enduring tears of Ranginui
to his long lost love

Alfred Lash, aged 11
Ōtautahi Christchurch


❆ ❆ ❆



She Left

We were a perfect pair
We held hands to withstand our despair
She sought justice for our
            friendship
Walked in sync to endure
            our hardship
We were like lightfast fabric
            a bond that never fades
Tears fell under the shade
She was like a sister to me
            we skipped around carefree
On my own now, she found
            a new friend
I guess its just me now
            until the very end…

Ila Rutherfurd, aged 12
Ōtautahi Christchurch


❆ ❆ ❆



What would the world be like

if we ran out of food
and billions starved to death.
If we stopped getting rain
and billions had to endure thirst.
If we stopped being able to grow crops
to eat.
If the cost of living became so high
we couldn’t afford food anymore
or even a pair of new slippers.
If the sun became so blindingly hot
that all the plants withered and died
and even lightfast paint
wouldn’t be able to hold colour
against the sun’s light.
What if our hospital’s became so unequipped
that newborns only had a small chance of surviving
so that only some mothers
would be able to hold their child.
If our world became so chaotic
there was no justice for anyone.

Emma Zhang, aged 12
Ōtautahi Christchurch


❆ ❆ ❆



Two makes a team

Two makes a team.
Two swallows dip and curve, ripping insects from the lightfast fabric of the sky.
Two makes a team.
A pair of willow trees stand sentinel over a roaring river as the sky opens up and the world is torn apart by winds and water, ever-enduring.
Two makes a team.
A young couple lie in jade-coloured grass, holding each other with the fierce desperation of two who know they will stay together until their bones are nothing but story.
Two makes a team.
A teenager sleeps in a hospital chair, waiting and wishing for good news, for justice, even in their dreams.
It never comes.
Two makes a team.
But what happens when there is only one left?

Briar Jarman, aged 12
Ōtautahi Christchurch


❆ ❆ ❆



To endure the agony of mistakes
Is what justice must do
Must be
It must hold its anger when confronted
To stay and not budge
To choose correctly,
Even when it seems impossible

To plaster the walls with fair rulings
That remain lightfast when exposed
To the most hateful rays of UV.
This is what justice must do
Must be

To be the embodiment of good and evil
Held together as one pair to endure
What is left of people's humanity
After they are found
Guilty, Innocent
Words, heavy and light at the same time
Depending on who holds them
This is what justice must do
Must be

Moon King, aged 13
Glen Eden, Tāmaki Makaurau Auckland


❆ ❆ ❆



'A body still mine'

He made me a stranger
inside my own skin.
Called my 'no'
an invitation,
my silence
a win.
But I learned to hold
the pieces he tried to break—
a fractured pair:
me and my soul,
he tried to take.

Justice isn’t loud,
sometimes it’s a quiet claim
a steady breath,
a whispered name.

This body is still mine
even if I’m broken inside,
even though his hands are etched,
into my mind,
til shame lingers
like a second skin.

He never asked,
only stole,
the innocence
of my lightfast soul.

This body—
now scarred and tainted,
he left me to endure
a promise still broken,
a life I question
and try to forgive.

But he could not
dim me.
Not completely,
that is.

Lilly Van Rooy, aged 15
Ōtautahi Christchurch


❆ ❆ ❆



The lonely bird

The lonely bird flits through the forest, the last of its kind,
As it flies around, it sees birds in their pairs,
It twits and twoos, even though in a bind.

Yet it keeps flying, even enduring bears,
As it flits through the forest, sad and alone,
It soars up the kauri; no need for stairs.

It is small and lightfast, and far it has flown,
As such, it is tired, so settles for sleep,
But a storm whips up, and far leaves are blown.

The bird is picked up, with no time for a peep,
And it flips and it turns, the wind has its hold,
And it takes the bird far, and over some sheep!

It is taken over a town, where a house has been sold,
Over a building where justice is done,
Over a mountain, mined for gold.

The wind takes the bird back, its had its fun,
Dumps it back down in its nest,
Then turns and leaves, it thinks it has won.

The lonely bird flits through the forest, not part of a pair,
‘Til it meets a small bird – one of its kind!

Joshua Taylor, aged 14
Tāmaki Makaurau Auckland


❆ ❆ ❆



Eternal

It’s easy to name them:
A pair.
One syllable,
quick on the tongue,
But heavy in living.

People say what they see.
How the woman paid
For what should’ve been free,
How the man was calm
Sitting in the shade.

Love is always good.
But they don’t see
The pieces fading away,
The small cuts made just to hold it whole.

To endure
the distances,
The silences,
The moment one gives more
While the other doesn’t notice.

Romance novels promise,
Love is eternal
Is it really?
Is eternal also the moments
That feel like pain

Or maybe love
Is whatever comes after pain?
The kisses,
The birthdays,
the children’s parties?

Maybe one day,
Sharing a cupcake
turns into many little mouths
Waiting to be fed.

So, try to hold on,
For the sake of love.
Because justice…
Justice is a blanket
That wraps around you
After the night you spent
Feeling almost alone.

Love is a short word,
Pair is too.
But it’s everything they carry;
To hold, to endure,
To remain lightfast,
That makes them eternal.
A blanket of justice,
Pulled over both,
Even if one is fading.
That’s what keeps
A pair alive.
That’s what makes them eternal.

Maryam Sarwar, aged 13
Mt Roskill, Tāmaki Makaurau Auckland


❆ ❆ ❆



Universal Collapse

At the end of the Universe,
Hidden in the beautifully shattered remains of what was,
the pair of us stand and stare at the total collapse.

With your hand in my hand,
We watch and endure as the world crumbles and falls,
Our hold on each other is steadfast,

'Is this the end?' you ask.
Your grip falters,
but I hold fast.

'No,' I say. 'It is simply a new beginning.'
But we both know that not even I believe my words,
They ring hollow - and do not do the universe justice in this moment of decay.

'Then,' you whisper, 'I hope we rot together.'
I smile, sad. 'I suppose it would be fitting, and I cannot wait to join you in the ground.'
We stand together, our love is lightfast,

but when compared to our societal collapse,
it will not hold
and we will rot together at last.

Carly Armstrong, aged 15
Ōtautahi Christchurch


❆ ❆ ❆



The Pain Experience

I endure this pain
and cry out for justice.
I lost to a game,
holding my lightfast ball.
As I suffer from losing,
sitting alone with my hope
strip off my pair of shoes
and start to give up,
tears well up in my eyes.

Jharred Jacinto, aged 13
Ōtautahi Christchurch


❆ ❆ ❆



I pair those who
Have to endure their lightfast life
And those who hold a sense of deeper justice
Ones hand must lift up on another from strife
And one that will drag down of those he trusted

One will see the tunnels ending light
And one will see the distance from where he stands to the end.
One will be gifted of a golden heart and follow what's right
And one disobey to see the world has compassionate trend

Why would one pair such opposites! I must know.
So one can pull them out of the trenches
And one can have someone to follow

Vahin Setty Sivakumar, aged 13
Tāmaki Makaurau Auckland


❆ ❆ ❆



The city’s drainage system works fast

A droplet of water
Falling, falling, falling…
Drip
A pair of wispy clouds hangs above the skyline
The storm still holding on
Falling, falling, falling…
Drip
The city’s drainage system works fast
Gutters and pipes, channels and drains
Carrying away water as if it were never there
No trial, no hearing, no justice
Falling, falling, falling…
Drip
Looking up, one roof
A thousand pipes
All vibrant vermillion
Despite the burning sun, remaining lightfast
Falling, falling, falling…
Drip
The city silent despite the time
Strange
The last of the clouds slips beneath the horizon
No longer there, no longer enduring
The sun bright, lasting, mocking overhead

Hudson Blyde, aged 13
Ōtautahi Christchurch


❆ ❆ ❆



The wind

An invisible surge of power
whistling past my ear,
almost knocking off the pair
of lightfast glasses
held tightly to my face.

Searching for justice, sword in hand
ready for a long battle,
ready to endure the mountain climb,
ready for anything.

Maddison Matthews, aged 11
Ōtautahi Christchurch


❆ ❆ ❆



Lying in silence,
my ragged breathing the only sound.
Cold seeps through the earth beneath me,
icy fingers creeping into my bones.
Time ticks—slow, cruel—
minutes dissolve into hours.
My eyes drift shut
for what I know will be the final time.

The voices rise,
begging me to endure,
to claw my way back from the edge.
Each breath is a battle
I can no longer win.

Warm, dark red spreads from my wounds,
its heat fading too fast.
The voices grow faint,
their urgency swallowed by a lightfast dark
that will not release me.

Gone—
the steady pair of lungs that once kept rhythm.
Gone—
the heartbeat I used to hold like a promise.

And in the end,
there is no mercy—
only the quiet justice of the earth,
closing over what remains.

Lilly-Marie Douglass, aged 15
Ōtautahi Christchurch


❆ ❆ ❆


Continue reading the winning poems along with the judge's comments here and the poems from the Adult's category here.

Friday, 1 August 2025

Given Words 2025

This year, international poetry film makers responded to our Call for Word Films and we have selected five (from Germany, Canada, the United States, Austrailia and Ireland) for this, the tenth edition of Given Words. In order of appearance in the presentation video, the word films are by: Ebba Jahn, Tom Konyves, Cindy Stockton Moore, Ian Gibbins and Colm Scully. You can find out more about each filmmaker below the video.

We invite you to write a poem which includes the five words and send it to us before midnight on 22 August, National Poetry Day. Please see the full rules below.

We will award prizes for the Best Poem and the Best Poem by Under-16s. The winners will receive books courtesy of The Cuba Press and Massey University Press (see below).

And the five words are…
(If for some reason you cannot see or hear the words in
the video you will find them at the bottom of this post.)

We are very grateful to all the people who responded to the Call for Word Films. We could only choose five for the competition, but you can find some of the other entries on the Given Words Instagram. Some have made new word films specifically for Given Words while others sent in fragments of existing works, where we can see how individual words colour our perception of the images presented. You can find out more about each of the five selected filmmakers below (in order of appearance in the video) and there are links to their websites where you can find examples of their poetry film work.

Ebba Jahn graduated from the Film and TV Academy Berlin (DFFB) and has worked as a 16 mm documentary filmmaker and cinematographer. 2018 her focus shifted to the creation of short video collages with original sound and improvised music, own and found footage, artworks, photos and poetic texts. Since the experimental award winning 67 min. music video collage 'IDEA - Miniatures by Improvisers' made 2021/2022, several longer Video Editions in cooperation with musicians followed. 2024 she published her first book in German: COLLAGE Ü. Web

Tom Konyves is a Canadian writer, poet, videopoet and videopoetry theorist. In 1978, he coined the term videopoetry to describe his first interdisciplinary work, Sympathies of War, and is considered to be 'one of the original pioneers of the form'. In 2008, he began research in the field of videopoetry, publishing the groundbreaking 'Videopoetry: A Manifesto' in 2011 to define the hybrid genre, assign constraints and categories to differentiate its various manifestations and specificities. YouTube | Insta | FB | Web

Cindy Stockton Moore is a Philadelphia based artist who creates site-responsive multimedia work that engages the history, environment and poetic narrative of a landscape–with an emphasis on materiality and process involving natural pigments and aqueous media. Her experimental, often collaborative, videos have been screened in festivals and exhibitions nationwide and abroad. Web
Ian Gibbins is a poet, video artist and electronic musician living in South Australia. His poetry has been widely published in Australia and overseas, and includes four books, two of which are collaborations with visual artists. His award-winning poetry videos, video art and soundscapes have been exhibited to acclaim at festivals, installations, galleries and public art displays around the world. Until he retired in 2014, Ian was an internationally recognised neuroscientist and Professor of Anatomy at Flinders University, South Australia, having originally trained as a zoologist. FB | Insta | Vimeo | Bandcamp | Web

Colm Scully is a former Chemical Engineer turned Poet and Poetryfilm maker from Cork, Ireland. He is a judge on The Drumshanbo Written Word Weekend Poetry Film Competition and the Ó Bhéal International Poetry Film Competition. His films have been shown internationally and he won the Deanna Tulley Multimedia Prize 2022. His poems have been published in PoetryIreland Review, Cyphers, Crannóg and Orbis. FB | Web


THE RULES:

  • The theme is up to you.
  • The words can be in any order.
  • You may change the tense of verbs and change nouns between plural and singular. (For example, hold can be a noun or a verb, and so can change to the plural holds and the verb held or holding, but cannot be used as the noun holding.) If you are in doubt about any word you can send us an email.
  • Maximum length 200 words.
  • If you intend to use AI in any way in the preparation of your poem please read the following supplementary rules first: Use of AI in Given Words. NOTE FOR TEACHERS: You can decide whether or not the use of AI is appropriate for your students.
  • Entry is free and open to all NZ citizens and residents.
  • Only one poem per person.
  • Poems by under-16s must also include the age of the poet. We would prefer parents or teachers to send the poem on the child's behalf.
  • FOR TEACHERS: We have prepared a lesson plan for teachers. You are very welcome to get your classes to participate, but please help us out by only sending in a selection of up to 10 of the best poems from your students.
  • Participation means you allow us to reproduce your poem on Given Words.
  • The deadline for entry is midnight on 22 August 2025.

Submit your poem by email including your full name and town of residence + age if under 16 to: nzgivenwords@gmail.com

To receive updates about the competition please subscribe to our newsletter here. We only send emails related with this competition and you can easily opt out at any time.

Winning poems will be selected by Sophia Wilson, Pat White and Charles Olsen.

Sophia Wilson grew up on unceded Anaiwan land in Australia and is now based in southern Aotearoa New Zealand. An arts graduate and former mental health worker, she is the author of Sea Skins, a poetry collection published in 2023 by flying island books.

Pat White is a poet, essayist, memoirist and artist. His writing often directly reflects his interest in rural life and the natural environment. His first collection of poetry, Signposts, was published in 1977, and he has since published a range of collections that draw on his experience living in different places around New Zealand, from the bottom of the South Island to the far north of New Zealand.

Charles Olsen is an artist, poet and filmmaker based in Spain. His third poetry collection, La rebeldía del sol ('Rebellious Sun') is published by Olifante Ediciones de Poesía. In April 2025 he was a special guest of Cadence Video Poetry in Seattle where his poetry film Wandering Houses—co-directed with Colombian poet Lilián Pallares—was premiered. His videopoem Vanitas based on an ekphrastic poem by Mary Jo Salter was featured in Filmetry 2025. You can watch Vanitas on the Filmetry Archive.


About the prizes

The winner of Best Poem will receive Tackling the hens by Mary McCallum, courtesy of The Cuba Press, and The Lobster's Tale by Chris Price and Bruce Foster, courtesy of Massey University Press.

The winner of Best Poem by Under-16s will receive Iris and Me by Philippa Werry, courtesy of The Cuba Press, and Sylvia and the Birds by Johanna Emeney and Sarah Laing, courtesy of Massey University Press.



(The five words are: pair, endure, lightfast, hold and justice.)